David Ohlemeyer

General, Inspiration /

A Mid-Century Modern Childhood

When Lawrence Group moved from Lafayette Square to downtown St. Louis in 1992, my mother, Martha Ohlemeyer, presented me with a painting of the Old Courthouse that still hangs on the wall in my office. She painted it over the course of a few days (which still blows my mind), thinking it important that our new office have some artwork representative of downtown.  She did it as an homage to one of her favorites, Fred Conway, who she studied under at Washington University in the 1940’s. Look him up and you’ll see the inspiration. She credits him in the upper right corner. It was he who steered her to fine art rather than commercial art. Always practical, her idea had been to be a magazine illustrator. He convinced her otherwise. She enjoyed a prolific career of painting and sculpting in multiple media, teaching, showing and occasionally selling. Selling her work was never a goal, though it was certainly nice when it happened. Her art was just what she did. She never bragged about her talent, but was very comfortable knowing she had it. She worked hard at it and enjoyed it and, in the process, inadvertently made my childhood mid-century modern.

A lot of my school breaks as a kid were spent hanging out with mom and her art friends either at the Artist’s Guild when it was next door to Soldan High School, at one of her friend’s homes or maybe even accompanying them on a plein air outing. I had no idea of the culture rich environment I was immersed in, I was just enjoying it for what it was and soaking it in unawares. If I didn’t have my own coloring books or modeling clay, they’d give me scraps of ‘the real stuff’ to play with. Among her friends was Ruth Schweiss, an art school classmate who had gone on to study at Cranbrook under Carl Milles (sculptor for the fountains in front of Union Station and the Climatron). She created the ballerina sculptures in front of the Ritz-Carlton in Clayton. The Schweiss family lived in a house designed by Bernoudy-Mutrux. As a kid, I remember always liking the house because it had lots of cubbies, nooks and crannies and windows that were somehow different than anything I had seen anywhere else. I had no idea I was moving about a mid-century modern classic work of art. It was just a fun place to play.

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Architecture, Inspiration, Projects /

Security Building Mural

It has been nearly 15 years since Lawrence Group acquired the Security Building in downtown St. Louis and renovated it as our corporate headquarters. Being a native St. Louisan (and one to never turn down the opportunity to hear a good story), I’ve enjoyed learning about the role the Security Building played in St. Louis history. Some of the stories are verifiable, but some of the best ones are not:  Charles Lindbergh signed the financing deal for his historic transatlantic flight in the bar of the Noonday Club on the tenth floor (or did he?); the Security Building actually bests the Wainwright Building as being the first steel frame high rise in St. Louis (or are the dates on the Security Building construction drawings somehow misleading?).

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